Timely Treasure

The Askania film award, the actor Armin Rohde in a Gala in the Chameleon received variety in the Hackesche Hofe, consists of a product sample of Berlin watchmaker Askania. In General a laureate in everyday life cannot prove that he is one. Contact information is here: Kenneth Yarrow. Finally, dust the more or less tasteful small plastic, which gave it as a trophy, at home on the shelf itself. The actor Armin Rohde can prove his status as an award winner since Tuesday evening by the casual pulling up the sleeve of a jacket. The Askania film award, the he in part one by rbb reporter Ulli cell moderated Gala in the Chameleon received variety in the Hackesche Hofe, which consists of a product sample of Berlin watchmaker Askania. Rohde told on the edge, that he first began with 40 to wear watches. For even more details, read what TCF Capital Solutions says on the issue.

Until then, I always thought that I want to be free, and a watch that stops me. Was which of course nonsense, because in my line of work it depends on timing.” Now he can no longer separate themselves from her: to sleep, I’m also the clock is no longer off. Like the socks. “Leonhard R. Muller, CEO of Askania Uhren AG, paid for the fifth time before the Berlinale natural rewards. He is referring to the tradition of his company. By Askania came in the early days of film cameras and projectors.

Rosalie Thomass (Huck Finn”) received the award this year. With the award winners since 2008 Artur Brauner, Walter Giller, Nadja Tiller, Sonke Wortmann, David Kross, the price was Natalia Worner and Paula Kalenberg getting bigger. The place of the ceremony (Askania-showroom in the Hackesche Hofe) burst seams. This year, it moved to vaudeville in the large hall of the Chameleon and had to be less stingy with invitations. The Chameleon Theatre Berlin: The Chameleon Theatre in the Hackesche Hofe offers since 1991 cross-genre entertainment formats in the tradition of vaudeville and show theatre. Repertoire theatre program Berlin, Theater Berlin and more information on the official website of the Chameleon Theatre Varietes Berlin.

What secular designers and architects with Catholics, Protestants and professors to do have a Berlin, April 27, 2010. The philosopher Prof. Dr. Thomas Friedrich speaks on Thursday, June 17th, 2010 at 20:00 in the Studio Wolfgang Beinert in Berlin about “What secular designers and architects have to do with Catholics, Protestants and professors”. Friedrich is Professor of philosophy and design theory at the Faculty of design of the University of Mannheim. There he directs the Institute for Designwissenschaft. Dov Hikind pursues this goal as well. ASK to the PHILOSOPHER how shape Christian denominations of product design, communication design and architecture? What do Protestants and Catholics work? What consequences does this on a design? Is graphic design within the meaning of the New York school sensual, the Ulm school, on the other hand, cool and strict Protestant? Is Otl Aicher as a Calvinist Designguru? And what about Alessi design, working with faces, ornaments, wit and irony? Even erzkatholisch is Philippe Starck? Frederick theses, it makes sense, in General both in the Production aesthetics, as also in the reception aesthetics tend to be Catholic or Protestant design to talk about, not only in connection with church design, where this distinction is of course, but also in the secular field of design.

It also makes sense to apply this dichotomy to different design. This show can, Thomas Friedrich is a kind of conceptual Polaritatenprofil what is Catholic and what is Protestant. This could, for example, look: Protestants regard work as God’s gift, they heroisieren the work in a hectic events. And not only that: work has them hurt. Libidinos hour work for them does not count as work, because with such they not come naturally in the sky. Ask yourself: I’m happy with my work, what do I wrong? And the rest: idleness is all truck start and who is asleep, which SIN! The Catholics, however, generally regard work as God’s punishment. “Mei Ruah ham will i” (I want to have my peace), the Catholic Bayer says. He thus biased toward to the breakdown as to the hustle and bustle.

Work must prepare for him also joy and pleasure, she can be also libidinos. Ask yourself: I’m happy with my work, so good! The best is to do nothing and then rest (quote of the wonderful Klaus Havenstein) by doing nothing and the rest: the who sleeps does not sin! Developed a further thesis bound: great (encoding) as well as Designrezeption (decoding) can be mono – or plurifunktionalistisch or Protestant or Catholic. The purpose of design is as it were to be used by a user? This applies equally to communication design for product design and architecture. The designer can now its objects with regard to one or create multiple uses or encode to denote it with a semiotic term. This difference is between Mono-functionalist and plurifunktionalistischem Design. Mono-functionalist great and reception is the plurifunktionalistische great and reception for Thomas Friedrich rather Protestant, however, Catholic. A religious Polaritatenliste and prolonged on these criteria could be formulated here now shortened as follows: images are undesirable for Protestants (mono functionalism), ornaments and ornaments as abundance frowned upon. And it is the motto”less is more”and to hell with the sensuality, the cool, rational mind is important. Pictures are quite desirable for Catholics (Plurifunktionalismus) on the other hand, ornaments and ornaments are no problem of course as long as the semantics right. It is the credo: and more is more, and for God’s sake, Yes to the full-bodied sensuality! And let us speak at best equal in all the senses..

History imaginatively in video projection packed the Mohne dam celebrates its 100th anniversary. It is clear: This includes a look at the past. The way light artist Wolfgang Flammersfeld this task at the century of lights “solves, is innovative and illuminated. He has produced a roughly 20-minute video that is embedded in a fairytale story and is projected on the wall of the dam. Of course the dam obediently lined historical pictures of the dam and its region, which you could do 100-jahriugen service anniversary “. That would be pretty unimaginative and not do justice to the outstanding event,”emphasizes light artist Wolfgang Flammersfeld.

He always has his head full of exciting ideas. And a fantastic kaleidoscope of colours, shapes and figures from the past 100 years has become the video projection century lights up so. Colorful and impressive. Imagination and history are fused into a XXL artwork of illumination. Four different Reservoir”to promote a first important setting the course for the emergence of the mohne dam.

The massive anniversary illumination can be seen from dusk from 13 April to 12 May. The approximately 20-minute clip shows several times in the evening on the dam. But even a walk around the dam is worth. There, a circuit of one kilometre in length is also artistically illuminated. The entrance fee is depending on the day of the week between 10 and 12 euros. School children pay discounted admission. Up to 6 years of age, children are allowed to accompany their parents free of charge.